The customisation you can go to with your Vintage Verbs gets quite deep. VintageVerb’s Colour parameter narrows down the era you’re emulating with your reverb setup, with a choice of 1970s, 1980s or ‘Now’. The plugin’s Mix, PreDelay and Decay controls work in the same way as in ValhallaRoom, and its available modes of reverb operation include halls, chambers, plates and more random, unique setups.
VintageVerb’s review scores are high thanks to its analogue-style response and sophisticated sound. VintageVerb recalls classic reverb hardware, giving you the sounds of eras past in your mix. Late reflections can be tailored as to their size, modulation rate/depth, and their bass response can be specified, whereas early reflections get their own Size dial, modulation controls, and the amount of this stage then sent into the Late Reflections stage can be tweaked. On the left are ValhallaRoom’s global controls: Mix blends the reverbed signal with the original, dry input signal PreDelay introduces a delay after your original sound and before the actual reverb kicks in Decay sets the amount of time taken for the reverb to die off High Cut removes the highest frequencies from the reverb signal.Īn interesting feature of this room reverb is its different settings for both the reverb’s Early and Late Reflections, and the ability to blend towards one, the other or both, using the Depth control. The plugin’s main mode of operation – the type of reverb it’s producing – is set using the Reverb Mode option, with a choice of room sizes, depths and specific spaces. This can be thought of as a studio space, in most cases, but the sound and response can also be pushed into more extreme territory. Perhaps the most straight-up of all the Valhalla DSP plugins, Valhalla Room gives you a simulation of the reverb response of an actual room. You can get hold of all the Valhalla gang at the ValhallaDSP website.
Valhalla vintage reverb try plus#
In this guide, we’re going to introduce you to all five Valhalla reverb plugins, plus Valhalla’s free FreqEcho processor, and get you started with their basic parameters and sonic possibilities. The results of this have led to some of the most respected reverbs out there. Instead of setting out to model individual components of reverb hardware, developer Sean Costello took a more artistic route in tuning their processing by ear. Some of the most successful, characterful – and perhaps most importantly, wallet-friendly at $50 each – reverb plugins developed in recent years are made by ValhallaDSP.Īll ValhallaDSP plugins are built as algorithmic reverbs. The mission: apply a sense of space to the channels in your project, or create cool Reverse Reverb Effects using reverb plugins. We love this plugin, you'll love this plugin, and at $50, it's an absolute steal.Reverb is one of those elusive parts of the producer’s world. It kind of makes you wish the modulation could be pushed to extremes, too.Ĭlearly, a lot of time and thought has gone into Valhalla Plate, taking it way beyond simply a slavish EMT 140 emulation, but retaining the subtlety and nuance required of any quality hardware emulation.Īnd with so many models to call on, it goes some way towards recreating the inevitable variation between echo plates in the real world. That's considerably more than you'd be able to coax from a real plate, which opens it up to more creative effects uses. When you want to tweak, the EQ is powerful enough to curtail mid and low build-up and boost the top end for splashy effects, and the modulation delivers adequate (though not excessive) wobble.įinally, Valhalla Plate allows decay times up to 30 seconds. Valhalla Plate emulates all of this perfectly while giving an amazing amount of sonic variety from mode to mode.įrom the reasonably neutral and spacious Chrome and Steel modes, via the upfront and brighter Brass, to the darker Titanium and Lithium, the base options, even before you start editing them, are quite excellent.Įvery model has its own depth, resonant character (Osmium picks up snare body beautifully, for example) and stereo image, and our favourites are Unobtanium (quite bright and wide) and Radium (wonderfully unobtrusive). Plate reverbs typically have instant onset, short high-frequency decay (the mid-range usually defines the decay time), and a slightly weird but pleasant stereo image. Smaller settings typically creating a more metallic sound, and larger settings a smoother, denser sound. The Width control behaves as you'd expect (0% is mono, for example), while the Size control not only adjusts the physical size of the plate (not something you could do in reality), but is also particular to each model. There's also chorus- style modulation on tap via the Rate (0.05-5Hz) and Depth (0-100%) knobs, and two further decay controls, Size and Width, ranging from 0%-200%, with 100% being the default setting.